缅北禁地

The trade pact, which seeks to create a single market for goods and services and promote cross-border movement of capital and people, should boost intra-African trade 鈥� currently at only 18 per cent鈥攁nd regional integration.听

It is also expected to be a boon for the creative sector. Key players in the creatives industry said as much when they met in Kigali, Rwanda, in 2019, even before the trade area launched.听听

鈥淲e wanted to deconstruct the AfCFTA,鈥� said Josh Nyapimbi, Executive Director of Nhimbe Trust, a pan-African creative civil society organization based in Zimbabwe, adding that the creative and cultural industries can 鈥渓everage the agreement to advance our economies.鈥澨�

Similarly, Wamkele Mene, the Secretary-General of the AfCFTA Secretariat, has emphasized the need for youth involvement in cross-border trade through the creative industry and technology. He says that the active participation of young people in the free trade area could boost jobs creation and catalyze economic development.听

Africa鈥檚 creative sector is diverse and includes visual and performing arts, crafts, cultural festivals, paintings, sculptures, photography, publishing, music, dance, film, radio, design, fashion, video games, digital animation, architecture, and advertising, according to the 缅北禁地Conference on Trade and Development (UNCTAD).听

The organization notes that the sector is helping fuel Africa鈥檚 economic growth.

鈥淭he creative economy and its industries are strategic sectors that, if nurtured, can boost competitiveness, productivity, sustainable growth, employment and exports potential," says Pamela Coke-Hamilton, UNCTAD鈥檚 Executive Director.

A听听by the International Trade Centre (ICT)听states听that the AfCFTA agreement can create more jobs and entrepreneurship opportunities for young Africans, recommending that ways be established for the youth to benefit from a single market.听

Africa is the youngest continent, with a median age of 19.8 years while 65 per cent of its population is under 25 years of age.听A third of all youth globally are expected to live in Africa by 2050. Yet between 7 million and 10 million young Africans look for jobs every day.

Ahunna Eziakonwa, the Director for the 缅北禁地Development Programme鈥檚 Regional Bureau for Africa, told Africa Renewal earlier this year that the AfCFTA 鈥渋s Africa鈥檚 best development accelerator yet.鈥澨�

In March 2021, Ms. Eziakonwa and Mr. Mene signed a strategic partnership on behalf of UNDP and AfCFTA Secretariat to promote trade in Africa. Both bodies again released a in November emphasizing that free trade in Africa could spur about 10 new value chains, many of which will support the creative sector.

These include mobile financial services and cultural, entertainment and tourism services.听

Creativity is the new money, and it is time for Africa to reap its benefits, corroborates Carlos Lopes, economist and former Executive Secretary of the Economic Commission for Africa.听

Mr. Lopes notes: 鈥淲hile there is clearly no shortage of talent in the continent, Africa has been relatively poor in profiting from [its talents]鈥� Africa鈥檚 presence in global markets for creative goods and services has been stagnated by its limited supply capacity, lack of intellectual property knowledge, obsolete policies and regulations, as well as underinvestment in the industry, particularly infrastructure.鈥澨�

Addressing this situation requires three solutions, according to Ms. Eziakonwa. These are, knowing the opportunity, investing in enabling policy frameworks, and removing obstacles to mobility.

Africa must first recognize the economic value of the creatives and cultural industry, she argues.听Achieving the goal of one African market requires a targeted incentives scheme that supports learning, talent development, and promotion in Africa, in addition to relaxing visa regimes to enable Africans, including those in the creative sector, to travel unhindered across borders, she recommends.

Nigeria鈥檚 film industry, for instance, contributes 1.42 per cent (or $7.2 billion) to the country鈥檚 GDP, employing 300,000 people directly and one million others indirectly.听

South Africa鈥檚 creative industry accounts for 3.6 per cent of the country鈥檚 employment.听

As the AfCFTA one-year anniversary approaches, top industry players are hopeful that the trade pact will tackle several hurdles in the industry.

Jacob Maaga is a Kenya-based performing artist and financial expert who has been working to promote trade in Africa. 听He says that 鈥渁n enabling regulatory framework accompanied by legal protection is essential for youths to reap the benefits of AfCFTA.鈥澨�

In South Africa, award-winning entrepreneur Hannah Lavery says she hopes that the AfCFTA 鈥渨ill open communication between businesses across Africa so that we can start sourcing, manufacturing, and selling across borders.鈥�

These issues and more were discussed last month at the Intra-African Trade Fair in Durban, South Africa, where the Creative Africa Nexus (CANEX) Summit was launched, supported by the African Import-Export Bank (Afreximbank).

CANEX aims to support Africa鈥檚 creative and cultural industries, and Afreximbank has set up a $500 million facility as seed capital for the initiative.

According to Afreximbank鈥檚 President Prof. Benedict Oramah, supporting the creative sector is a good bet.

鈥淎t Afreximbank, we fully understand the power of the creative industry to catalyze intra-African trade, create millions of jobs for the continent鈥檚 young population, and promote the emergence of national and regional value chains,鈥� says Mr. Oramah. 鈥淲e also know the power of creatives to catalyze industrial development because this is a bankable industry.鈥�