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Pushkin¡¯s poetry is capable of not only helping humanity overcome its values crisis, it might even be able to lend a hand in saving us from global warming.     ¡ªJulian Henry Lowenfeld¹

Well-known English diplomat and historian Harold Nicolson defined diplomacy as ¡°the management of international relations by negotiations.¡±² It is not surprising that adopted during the first session of the United Nations General Assembly, in early 1946, was devoted to the rules concerning the nascent Organization¡¯s working and official languages,³ in which negotiations were to be held and the most important documents drafted. Thus, the principles of multilingualism and cultural diversity were established at the very foundation of the United Nations, which has become a unique forum for finding solutions to the most pressing problems facing humanity. Promoting tolerance, mutual respect and understanding, the multilingual environment has contributed to the intellectual and spiritual enrichment of the Organization¡¯s staff and the representatives of its constituent Member States, ensuring their effective participation in the work of the entire United Nations system, as well as greater efficiency and better outcomes.

To support the aims and work of such an international organization, it is important to strive for public engagement by telling the story of the United Nations in many languages across multiple platforms. A notable example of a multilingual resource that provides ¡°authoritative information and debate on the activities of the larger United Nations system¡± is one of its flagship publications, the Ãå±±½ûµØChronicle. From its inception, the Chronicle, originally named the United Nations Weekly Bulletin, was conceived as a multilingual periodical. Its first issue was released on 3 August 1946 in English and French, with a Spanish version added in January 1948. The magazine later expanded its range of languages into Arabic and Chinese, and began to translate its content into Russian in 1982, following the request made by the General Assembly, in , that the Secretary-General make ¡°a more strenuous effort to ensure balance in the use of official languages in the publications and programmes of the Department [of Public information].¡±

This current, all-digital incarnation of the Ãå±±½ûµØChronicle features a dedicated page for each official language. In terms of the number of websites available on the Internet by language, , indicating a high demand in Russian-speaking communities for this particular means of obtaining information. Although most of the articles submitted to the Chronicle are in English, distinguished contributors, including Heads of State and leaders of international and intergovernmental organizations, may choose to write in either their native tongue or in the working language of their entities, provided it is also one of the official languages of the United Nations. Thus, the original drafts of the articles by former Soviet President Mikhail Gorbachev, as well as the former Secretary-General of the Shanghai Cooperation Organization, Rashid Alimov, were submitted in Russian. As the United Nations publication, the Ãå±±½ûµØChronicle regularly covers the Organization¡¯s policies and practices concerning multilingualism. On the occasion of the fiftieth anniversary of the first session of the General Assembly, the magazine  published an article entitled ¡°Fifty Years Ago: The Official Languages,¡± which explores the nuances of translation and interpretation, discussing various approaches to rendering between a host of linguistic systems, as well as differences among diverse cultural contexts.⁴ In the pages of the Chronicle, multilingualism is seen as an effective tool for combatting illiteracy,⁵ a means of preserving endangered and dying languages,⁶ and an integral component of global citizenship.⁷

Among other measures undertaken to celebrate multilingualism and cultural diversity is an initiative establishing a special day for each of the Organization¡¯s six official languages, proposed by the Department of Global Communications (formerly the Department of Public Information) in 2010. Each of these days is associated with either a turning point in the history of the language itself or a memorable date in the life of a renowned literary figure. Russian Language Day is observed on 6 June, which marks the birthday of Russia¡¯s most celebrated poet and writer, Alexander Sergeevich Pushkin (1799 - 1837).

Much has been uttered and written about Pushkin, but as historian Vasily O. Klyuchevsky once observed, ¡°no matter how much has been said [about the poet], it never seems to be enough, there is always the desire to add more.¡±⁸ The significance of Pushkin¡¯s oeuvre within world history and culture was emphasized during the twenty-ninth (1997) session of the General Conference of the , which to participate directly in the celebration of the 200th anniversary of the poet¡¯s birth. In 1999, the UNESCO Executive Board Member States to organize official festivities in their respective countries, and the world marked the bicentennial of the writer¡¯s birth ¡°on an exceptionally grand scale with a great variety of events.¡±⁹ This global commemoration of the Russian poet¡¯s legacy affirmed the conviction of the American translator of his works, Julian Henry Lowenfeld, who noted in an interview with Gaseta.ru, ¡°I think that Pushkin, like Homer or Shakespeare, belongs to the whole world. One does not need to be a Russian to understand and love him.¡±¹⁰

For Lowenfeld, Pushkin is a ¡°spiritual antidote¡± that treats ¡°depression, pessimism and the sense of hopelessness.¡±¹¹ Others, such as language professionals working in the multilingual United Nations Secretariat, also turn to Pushkin, who himself notably served in Russia¡¯s Imperial Collegium of Foreign Affairs. Do they hope to find in his writings bits of advice or consolation? Are they driven by their love for the arts and literature, or do they page through his volumes out of pure curiosity? On the eve of this year¡¯s Russian Language Day, the Ãå±±½ûµØChronicle spoke to Mr. Kaiss Jarkass from the Arabic Translation Service, and Mr. Botao You, a United Nations Chinese translator who works from English and Russian.

Kaiss discovered Pushkin almost 50 years ago in his native Syria, where he immersed himself in Arabic translations, travelling in his thoughts from Bakhchisarai and Arzrum to Northern Palmyra, where he would study medicine and the Russian language. It was in Leningrad, now St. Petersburg, where Kaiss first read the Russian poet of African descent in the original, admiring the writer¡¯s rebellious temperament and firm faith in liberty. At the same time, Kaiss marveled at Pushkin¡¯s lyrical songs of nature, his subtle delight in beauty and the deep philosophical implications of his work. The young man¡¯s horizons widened as he discovered a plethora of vividly depicted manners, tenors of life and indigenous customs of various peoples, including the inhabitants of the Caucasus, the Crimea and Bessarabia. Fascinated by an infinite diversity of characters, Kaiss drew upon Pushkin¡¯s multicultural narratives, which ultimately determined his choice to become  a translator at a multilingual international organization. Although Kaiss is fluent in Russian, he continues to study the tongue with the Language and Communication Programme at United Nations Headquarters, established to support a multilingual workforce while enhancing staff performance and integration. When the Programme¡¯s Russian section announced a poetry contest in 2018, Kaiss fulfilled a life-long dream, translating into English one of his favorite works by Pushkin, ¡°Recollection¡±:

§£§°§³§±§°§®§ª§¯§¡§¯§ª§¦                                                               RECOLLECTION

§¬§à§Ô§Õ§Ñ §Õ§Ý§ñ §ã§Þ§Ö§â§ä§ß§à§Ô§à §å§Þ§à§Ý§Ü§ß§Ö§ä §ê§å§Þ§ß§í§Û §Õ§Ö§ß§î,           When noisy days go silent for the mortal men,
§ª §ß§Ñ §ß§Ö§Þ§í§Ö §ã§ä§à§Ô§ß§í §Ô§â§Ñ§Õ§Ñ                                                            And on the city's alleys deadened
§±§à§Ý§å§á§â§à§Ù§â§Ñ§é§ß§Ñ§ñ §ß§Ñ§Ý§ñ§Ø§Ö§ä §ß§à§é§Ú §ä§Ö§ß§î                             The pallid shadows of the night, and sleep descend,
§ª §ã§à§ß, §Õ§ß§Ö§Ó§ß§í§ç §ä§â§å§Õ§à§Ó §ß§Ñ§Ô§â§Ñ§Õ§Ñ,                                                 Reward of daily labors, 'tis then
§£ §ä§à §Ó§â§Ö§Þ§ñ §Õ§Ý§ñ §Þ§Ö§ß§ñ §Ó§Ý§Ñ§é§Ñ§ä§ã§ñ §Ó §ä§Ú§ê§Ú§ß§Ö                      For me, the time when hours of tormenting wake
§¹§Ñ§ã§í §ä§à§Þ§Ú§ä§Ö§Ý§î§ß§à§Ô§à §Ò§Õ§Ö§ß§î§ñ:                                                        Drag by quietly and so slowly:
§£ §Ò§Ö§Ù§Õ§Ö§Û§ã§ä§Ó§Ú§Ú §ß§à§é§ß§à§Þ §Ø§Ú§Ó§Ö§Û §Ô§à§â§ñ§ä §Ó§à §Þ§ß§Ö                Amid the listless night, the serpent of my heartache
§©§Þ§Ö§Ú §ã§Ö§â§Õ§Ö§é§ß§à§Û §å§Ô§â§í§Ù§Ö§ß§î§ñ;                                                        Bites more severely, burns more sorely;
§®§Ö§é§ä§í §Ü§Ú§á§ñ§ä; §Ó §å§Þ§Ö, §á§à§Õ§Ñ§Ó§Ý§Ö§ß§ß§à§Þ §ä§à§ã§Ü§à§Û,                  My dreams inflame; my mind's depressed by painful sadness
§´§Ö§ã§ß§Ú§ä§ã§ñ §ä§ñ§Ø§Ü§Ú§ç §Õ§å§Þ §Ú§Ù§Ò§í§ä§à§Ü;                                                   A throng of heavy thoughts, like madness,
§£§à§ã§á§à§Þ§Ú§ß§Ñ§ß§Ú§Ö §Ò§Ö§Ù§Þ§à§Ý§Ó§ß§à §á§â§Ö§Õ§à §Þ§ß§à§Û                       They come together in my soul, my blood and marrow;
§³§Ó§à§Û §Õ§Ý§Ú§ß§ß§í§Û §â§Ñ§Ù§Ó§Ú§Ó§Ñ§Ö§ä §ã§Ó§Ú§ä§à§Ü;                                               Before me, memory unrolls
§ª §ã §à§ä§Ó§â§Ñ§ë§Ö§ß§Ú§Ö§Þ §é§Ú§ä§Ñ§ñ §Ø§Ú§Ù§ß§î §Þ§à§ð,                             Stilly its lengthy scrolls; and reading, with disgust, on rolls
§Á §ä§â§Ö§á§Ö§ë§å §Ú §á§â§à§Ü§Ý§Ú§ß§Ñ§ð,                                                                My life, I tremble, curse and I
§ª §Ô§à§â§î§Ü§à §Ø§Ñ§Ý§å§ð§ã§î, §Ú §Ô§à§â§î§Ü§à §ã§Ý§Ö§Ù§í §Ý§î§ð,                      Complain bitterly, and the bitter tears I cry
§¯§à §ã§ä§â§à§Ü §á§Ö§é§Ñ§Ý§î§ß§í§ç §ß§Ö §ã§Þ§í§Ó§Ñ§ð.    <1828>                              Yet, don't erase the lines of sorrow. 

For Botao You, a long-time follower of the Ãå±±½ûµØChronicle, which he regularly reads in Chinese, English and Russian, Pushkin helped to overcome a sense of frustration and even despair during the peak of the devastating COVID-19 pandemic, which wreaked havoc upon New York City last spring. Like most of his colleagues, he was compelled to work from home, which was not an easy transition. Overnight, the buzzing United Nations Headquarters gave way to a languishing bedroom-to-living-room routine. Once surrounded by friends and colleagues, Botao suddenly found himself in isolation. Then he chanced upon a of the renowned actor Fan Wei, whose recitation of Pushkin¡¯s stanzas ¡°If by life you were deceived¡­¡± (§¦§ã§Ý§Ú §Ø§Ú§Ù§ß§î §ä§Ö§Ò§ñ §à§Ò§Þ§Ñ§ß§Ö§ä¡­) made the performer a household name in China.

IF BY LIFE YOU WERE DECEIVED...       ¡¶¼ÙÈçÉú»îÆÛÆ­ÁËÄã¡·

If by life you were deceived,                     ¼ÙÈçÉú»îÆÛÆ­ÁËÄ㣬

Don't be dismal, don't be wild!                 ²»ÒªÓÇÓô£¬Ò²²»Òª·ß¿®£¡

In the day of grief be mild!                       ²»Ë³ÐÄʱÔÝÇÒ¿ËÖÆ×Ô¼º£¬

Merry days will come, believe.                ÏàÐÅ°É£¬¿ìÀÖÖ®ÈվͻᵽÀ´¡£

Heart is living in tomorrow;                      ÎÒÃǵÄÐĶùã¿ã½×ÅδÀ´£¬                                                                           

Present is dejected here:                          ÏÖ½ñ×ÜÊÇÁîÈ˱¯°§£º

In a moment, passes sorrow;                  Ò»Çж¼ÊÇÔÝʱµÄ£¬×ªË²¼´ÊÅ£»

That which passes will be dear.              ¶øÄÇÊÅÈ¥µÄ½«±äµÃ¿É°®¡£

 <1825> 

Translated by M. Kneller                        Translated by ZHA Liang-zheng¹²          

The verse was composed in exile, and thus resonated with the sentiments of a population worn out by the pandemic and growing dispirited under lockdown. ¡°The message was irrefutable,¡± recalls Botao. ¡°While powerful enough to snap me out of my despondency, the lines were as simple and light as a gentle breeze¡­They comforted me as only Zen may do. I was spellbound¡±, he added. It is this captivating effortlessness with which Pushkin heals and touches people¡¯s hearts that also drew Lowenfeld to his work. ¡°The depth of Pushkin¡¯s revelation is hidden in its simplicity,¡± the translator once stated.¹³

This multilingual dedication to the genius of Russian literature marks Russian Language Day 2021, revealing  the hope that Pushkin¡¯s legacy will continue to bring people and nations together, while increasing interest in Russian history and culture. Along with all other common efforts, the power of Alexander Pushkin¡¯s poetry and prose will serve as yet another means not only of overcoming turmoil in one's life, but also of supporting humanity in confronting the most formidable global challenges.